Models of Crossover Guitars on the Market, Introduction

No endorsement is implied. I have not had the opportunity to examine or evaluate many of these first-hand. What I’ve learned has come from Internet searches, visits to music stores, catalogs, and conversations with the people at Atlanta’s most excellent classical guitar store, Maple Street Guitars. Another source of information was Grant MacNeill from The Twelfth Fret music store in Toronto, who played a large part in designing Alhambra’s crossover guitars.

I will try to link to pictures on the Web and not re-post pictures myself, but in all respects all the pictures are the property of the various rights holders, which are not me.


First off, what are the criteria? For a classical guitar to be considered a crossover guitar, for my purposes, requires:

  • A slimmer neck
  • A narrower nut width
  • A radiused fingerboard
  • A cutaway

Additional criteria that others might require could include:

  • An internal pickup and preamp, with easily accessible controls
  • Reduced acoustic vibration and volume, in the name of reducing feedback on a stage with an amplified band
  • A smaller, thinner body that does not feel like a traditional classical guitar
  • Finishes, woods, or colors that are non-traditional and more emblematic of steel-string acoustic-electric guitars

As you know if you’ve read my previous posts, I wanted something that looks, sounds and performs like a traditional acoustic classical guitar, because I want to use it to perform traditional classical music. My requirement was that it have a neck more comfortable to a player who does not come from a classical guitar background.

However, there are many performers, coming from jazz or what have you, that want a guitar that looks and feels much more like a solid-body electric guitar, a hollow-body electric guitar, or an acoustic-electric steel-string guitar. In other words they just want the nylon strings, not the classical guitar experience. Probably they don’t want to play traditional classical guitar music on this instrument in the first place. They want to incorporate some of the sound of nylon strings into amplified, electrified solo or ensemble jazz or rock.

There are a lot of guitars on the market that are essentially traditional classical guitars that are designed to be played primarily plugged-in (amplified) and not acoustically. They almost always have a cutaway. In addition, they may have smaller bodies, thinner bodies, or even solid bodies. However, I am giving little coverage to those kinds of guitars if they have a traditional wide neck and flat fingerboard. To me those are not crossover instruments.

And I am leaving flamenco guitars completely out of the equation. There are a lot of interesting acoustic-electric or crossover flamenco guitars out there, but that’s outside the scope of these essays.

Ok, let’s go.

My Alhambra crossover guitar

By the way, crossover guitars are sometimes called “fusion” guitars, and that term is usually applied to a thin-line acoustic-electric guitar designed for jazz players.

But mine is not. It’s a fully acoustic guitar, no pickup, designed to sound and project just like a regular classical guitar.

Here are the details:

My guitar is a limited-run instrument, not a production model. But Alhambra now has three production models that you can order, and they are similar.

Mine is identical to an Alhambra 5P, except for the neck and the bridge saddle.

Alhambra 5P CWX from The Twelfth Fret, Toronto
Alhambra 5P CWX from The Twelfth Fret, Toronto


Alhambra 5P CWX Crossover

  • 1-7/8″ wide nut (48mm), 8mm string-to-string spacing
  • Radiused ebony fingerboard (15-inch or 380mm)
  • Side dots at 3, 5, 7 & 9th frets
  • Ebony reinforced Spanish cedar neck (no truss rod)
  • True Spanish neck joint
  • 650 mm scale length
  • Venetian cutaway design
  • Extra access neck heal contour (sometimes called “compound” or “contoured” cutaway)
  • Solid Western Red cedar top
  • Traditional fan bracing
  • Laminated Indian rosewood back & sides
  • Rosewood body binding
  • Radiused saddle (for appropriate string height and action given the radiused fingerboard)
  • Traditional rosewood bridge with angled┬átie block. String span at bridge is 60mm, or string-to-string of 12mm, just like a standard classical guitar.

It came with a flat-top hard shell case, one that looks like it was built by TKL.

Here is the background:

Grant MacNeill and the luthiers of the Twelfth Fret guitar store of Toronto, Ontario, Canada designed the first Alhambra crossover model. They carved a custom neck and fingerboard, and commissioned Alhambra to produce two-hundred 5P guitars with replicas of this neck and fingerboard. Twelfth Fret took delivery in 2007 and sold them exclusively from their store.

Alhambra was pleased with the results so they added three models of crossover guitar to their regular production lineup. The new models are higher-grade instruments than the 5P CWX, and all come with a Fishman pickup and preamp system built-in. The new Alhambra crossover models can be ordered from any Alhambra dealer. (I provided a link to the list of dealers in the United States only, but they are available world-wide.)

I got my 5P CWX at a great price, from Twelfth Fret. I bought in in March, 2009, and it was one of the very last of the 200 that they ordered. They may still have one or two left, and at any rate they can get you one of the new production models, so contact them if you are interested. Ask for Grant and tell him that Wheat Williams sent you.

I’m taking the liberty of posting Twelfth Fret’s pictures from their page on the 5P CWX, because I fear that they are no longer available and Twelfth Fret might take down their page.

The new Alhambra crossover models are true classical guitars, but I don’t like the bridge design, the binding, or the big honkin’ headstock logo, because they look quite un-traditional. My guess is that Alhambra is betting that these non-traditional elements will make these models more appealing to those who were not classical guitarists to begin with.

Alhambra CS-3 CW E2 Crossover Guitar
Alhambra CS-3 CW E2 Crossover Guitar